Portraiture is as vast a genre of photography as it is rewarding. There are a lot of ways to go about creating portraits with a lot of visual interest, but one of the most satisfying ways to do this is to create emotive portraits. Being able to capture your subjects showing emotion (whether that be positive or negative) not only allows you to show your viewer a more human aspect of your subject, but it can also help create compelling and arresting imagery. This article provides you ten tips to help you with your create emotive portraits. Some of these tips are technical, but most of them, perhaps unsurprisingly, focus on how you interact with your subjects.
01. CONCENTRATE ON THE GESTURE: When you’re photographing emotion, it will be helpful to consider what information you need in your frame. If your subject is smiling, crop in close on the head and leave all other information out. The space in your frame is valuable, and you want to ensure that you get your message across clearly. Unneeded information (such as things in the background or body parts that are not involved in the gesture) serve only to detract from the focus of the image.
By cropping in closer, the emphasis of the composition is placed on the gesture of the expression, leaving nothing to distract from it.
That said, pay attention to your subject’s body language. If they are gesticulating with their arms as part of the expression, be sure to include that in your frame as it will help to complete the expression.
02. KEEP THE LIGHTING SIMPLE: Basic lighting techniques work well when trying to capture emotion. A lot of the time, you don’t need more than one light and a reflector.
Just like in a lot of other walks of life, less can definitely be more in emotive portraiture. By keeping your lighting simple, you are controlling how much information is in the frame. Just like the first tip, this is about ensuring that your viewer’s attention is placed squarely where you want it to be.
The lighting pattern that you choose will likely depend on what emotion you are trying to convey. For bright, happy emotions, you may opt for something like butterfly lighting. You also might choose to use a lot of fill light. For darker emotions, like sadness, more dramatic light such as that provided by short lighting is a fantastic tool that provides many shadows and can add tons of mood to your images.
03. COMMUNICATE CLEARLY: Before you even start a shoot, explain to your subject as clearly as possible what you want from them. If you need to, show them examples.
Assuming you are staging your portrait session rather than taking candids, you will want to very clearly communicate with your subject exactly what it is that you are trying to achieve. Be specific and avoid vagueness. If you tell someone to be happy, you might get that generic smile that everybody gives a camera. Instead of happy, try saying something along the lines of: “I’m looking for genuine expressions of joy. I want you to imagine that you’ve just got a new puppy.” You’ll find this kind of thing works well very often as you almost always evoke genuine emotion from someone.
If the puppy doesn’t work, feel free to substitute it with anything that might. Kitten, baby, chinchilla, motorcycle; it doesn’t matter as long as it works.
04. GENUINE RAPPORT: Having a good rapport with your subject will often give you more subtle and genuine expressions.
To get the very best and most authentic expressions out of your subjects, you will want to build a genuine rapport with them. Be nice, be polite, let them talk about themselves, show them the back of the camera, joke around (appropriately) and develop a light-hearted banter (if warranted, not everyone appreciates it).
Also, try to keep the session relaxed and stress-free. You, as the photographer, might be worried about the lighting and all of the technical things, but I think it’s vital for you to worry about your role in your head and keep your subject’s focus on their role.
05. MAKE YOUR SUBJECT AN ACTOR: Instructing your subjects to act out various scenarios can give you a range of images from which to choose the most natural and evocative images.
An approach that can help to elicit good expressions is to tell your subject to act rather than to pose. Still images and video are very different things, and people change their behavior accordingly. If you suggest that they should treat the session and the scenarios you give them as if you were filming, or as if they were acting on stage, you can get much more natural expressions. Better yet; book an actor if you want the very best results, and it suits your project.
06. LOOK AWAY FROM THE CAMERA: One of the easiest ways to get emotion into your photos is to have your subject look away from the camera.
One of the simplest ways to help convey real expression is to make sure your subject isn’t looking directly at the camera. Instead, pick a point for them to look at and direct them to do so. Where you pick isn’t important as long as you can capture and clearly convey the emotion that you are after.
This is very useful for the more somber emotions. Sadness, longing, and thoughtfulness can all be more easily portrayed with your subject looking off into the distance. This isn’t a rule, so please don’t shoot every single shot this way unless the situation calls for it.
07. GIVE PERMISSION TO BE RIDICULOUS: Tell your subjects they can be as ridiculous as they want. It can help to loosen them up and act more natural later. Sure, there will be unusable frames, but you might just hit gold.
Many people (including those with much experience) tend to go rigid in front of a camera. Let them know that they can act ridiculous. Moreover, encourage them to act as ridiculous and exaggerated as possible. This will help them to loosen up, and it will also help to lighten the mood of the session. Having your subject’s pull funny faces is a good way of cutting through the seriousness of a photoshoot.
Another trick that I sometimes use (it doesn’t work on everyone) is to get someone to fill their cheeks with air and then blow out as hard as possible. If they’re open to it, it almost always results in fits of laughter.
08. HAVE A SET OF TECHNIQUES THAT PROVOKE REACTIONS: Blurting out random words and photographing the reactions can lead to fantastic results.
There are a lot of tips on how to provoke reactions from people. My favorite is to blurt out random words and photograph the reactions. To do this, just say a different word in-between frames. It could go something like alpaca, cheeseburger, dunce cap, or giant mushroom. Feel free to adjust your words based on the person you are working with.
Again, it doesn’t work on everyone, and you may have to switch to another technique.
If you know your subject well enough, you could always show them some funny pictures or memes on your phone. Just be sure that whatever you show them matches their sense of humor or you might ruin the rest of your shoot.
09. GIVE FOOD FOR THOUGHT: Try giving your subject a specific scenario to think about for a few frames. This works well across the board, no matter how happy or sad you want them to act.
Instead of strings of random words, you can give your subject a specific thing to think about. This works well for all manner of emotions, whether that be happy or sad. I recently worked with an actor, and she introduced me to the sentence, “Imagine a badger eating spaghetti.” For laughter, I don’t think I’ve come across anything that works better.
For sadder emotions, I suggest (from experience) avoiding being too specific. If you say something along the lines “Imagine the loss of a pet” and they recently lost a pet, it’s really not going to go down well.
Instead, ask them to imagine feeling a loss and let them think about whatever it is that comes to mind. Remember, when trying to capture negative emotions, you will generally have no idea what’s going on in your subject’s life. While you want to capture an emotion, it’s not usually a good idea to put your subject through unnecessary emotional turmoil. Please try to be respectful of that and the people you work with.
I know of a lot of wonderful photo projects that exist to document the rawest emotions in people. I am not saying “don’t do that” if that’s your goal. However, do be explicit with your intentions to your subjects, and do ask them if there’s anything they would rather you not touch on.
10. OUTTAKES: Don’t forget to take a look at your outtakes from any given shoot. They are usually the most spontaneous and natural shots of all.
During a normal portrait session, outtakes can often be seen as a fun extra. However, when you’re creating emotive portraits, it’s the outtakes where you might find the most genuine expressions. Don’t forget to give them a look through once you have the photos on the computer. You may find that a spontaneous outtake has given you exactly what you were after.
Sometimes getting your subjects to react the way you want and then to convey those emotions well in your photographs can be a challenge. With these ten tips, you hopefully have a few more tools in your belt to make that process easier. These are just a handful of things that can help; however, and there are plenty of other techniques out there.
originally posted on digital-photography-school.com by John McIntire